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Traditional craft

Mikawa Butsudan

三河仏壇

Gold household Buddhist altars from Okazaki and the Mikawa area of Aichi, built low for daily prayer by eight specialist crafts.

Key facts

Officially recognised
15 December 1976
Type
Buddhist altars
Region
Chubu
Official name in Japanese
三河仏壇
Official area (in Japanese)
岡崎市、豊橋市、半田市、安城市、西尾市、知立市、刈谷市、蒲郡市、碧南市、豊田市他

Official page (in Japanese) (opens in a new tab)

Low for daily prayer

Mikawa altars are built with a low base so daily worship is easy. A wave-shaped uneri-nageshi lintel lets the ornate kuden inner shrine be seen clearly, and the finish is lavish: lacquer, carving, fittings, maki-e and gold leaf. Fine carving is one of its hallmarks. It is made in Okazaki, Toyohashi, Handa, Anjo, Nishio, Kariya, Toyota and other cities in Aichi.

One person, one craft

  • Eight specialists each make one part: the wooden body, the inner shrine and the carving.
  • Then come lacquer, maki-e and gold leaf.
  • Metal fittings are made.
  • Finally the parts are assembled into one altar.

Timber by river

Mikawa altars began in the mid-Edo period, when altar makers used fine pine, cedar and hinoki floated down the Yahagi River, and urushi lacquer from the foot of Mt Sanage in northern Mikawa. Makers spread from Okazaki across Mikawa, forming today's production area. Young makers also use the same skills to build mikoshi portable shrines.

Good to know

  • Compare the base height with a Nagoya altar: Mikawa's is low, Nagoya's high.
  • Look for the carved details; carving is a Mikawa hallmark.

Questions travellers ask

Why are Mikawa altars low?

A low base makes daily worship easier.

What is an uneri-nageshi?

A wave-shaped lintel that lets the inner shrine be seen clearly.

Where it comes from

More crafts from the same area

Local foods from the same area

Heritage stories from the same area

Sources

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