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Traditional craft

Nagoya Yuzen

名古屋友禅

Silk kimono from Nagoya painted with very few colours, often building a whole design from the light and dark shades of a single one.

Key facts

Officially recognised
27 April 1983
Type
Dyed textiles
Region
Chubu
Official name in Japanese
名古屋友禅
Official area (in Japanese)
名古屋市、春日井市

Official page (in Japanese) (opens in a new tab)

One colour, many shades

Nagoya is known as a down-to-earth, frugal place, and its yuzen matches. Painters keep colours to a minimum and often draw a design with the light and dark shades of one colour, a quiet style called tansai notan. The black ground of formal tomesode kimono uses Nagoya's own toro-biki black dyeing, prized for its glossy depth. It is made in Nagoya and Kasugai in Aichi.

One artist from sketch to finish

In hand-painted Nagoya Yuzen, a single maker handles every stage, from design and underdrawing to paste resist, colouring and finishing, so each piece is one of a kind. For stencil dyeing, makers use Ise katagami stencils with coloured paste, or rub dye through with a brush.

Brought by travelling craftsmen

In the early 18th century, Owari culture was flourishing around Nagoya and craftsmen moved back and forth from Kyoto. Yuzen techniques are said to have arrived then. Dyed pieces from the late Edo period survive, along with records of sales of Ise katagami stencils.

Good to know

  • Compare Nagoya Yuzen with Kaga Yuzen and Kyo Yuzen to see how three cities read the same craft.
  • Look for the black formal kimono: the toro-biki black is Nagoya's speciality.

Questions travellers ask

What is tansai notan?

Drawing a design with the light and dark shades of a single colour, the hallmark of Nagoya Yuzen.

Is each piece made by one person?

In hand-painted Nagoya Yuzen, yes: one artist does every stage.

Where it comes from

More crafts from the same area

Local foods from the same area

Heritage stories from the same area

Sources

More ways to explore Japan