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Traditional craft

Kiso Shikki

木曽漆器

Sturdy lacquerware from Nagano's Kiso valley on the old Nakasendo road, made from Kiso hinoki and strengthened with a local clay.

Key facts

Officially recognised
17 February 1975
Type
Lacquerware
Region
Chubu
Official name in Japanese
木曽漆器
Official area (in Japanese)
松本市、塩尻市、木曽郡木曽町

Official page (in Japanese) (opens in a new tab)

Three Kiso finishes

Kiso Shikki has three signature finishes. Shunkei-nuri lets the natural beauty of the wood show. Kiso tsuishu builds up many layers of coloured lacquer and sands them back to reveal a mottled pattern. Nuriwake roiro-nuri paints geometric patterns in different coloured lacquers and polishes the surface. It is made in Shiojiri, Matsumoto and Kiso town in Nagano as low tables, trays, meal tables, stacked boxes, soba tableware, vases and furniture.

Clay in the base

For shunkei-nuri, lacquer is rubbed into hinoki so the wood keeps its natural character. For tsuishu, a hard base is made with local sabitsuchi clay, coloured lacquers go on in layers, and sanding brings out the stripes. For nuriwake roiro-nuri, each colour is painted to fit the pattern and the surface is polished.

Souvenirs of the Nakasendo

Kiso Shikki began in the early 17th century in a valley already known for woodwork from its rich hinoki forests, and it grew under the protection of the Owari Tokugawa domain. Kiso lacquerware was a popular souvenir for travellers on the Nakasendo road. In the early Meiji period, a clay called sabitsuchi was found at Narai, and mixing it into the base made Kiso ware tougher than before.

Good to know

Questions travellers ask

Why is Kiso Shikki so durable?

Its base uses sabitsuchi, an iron-rich local clay found at Narai in the early Meiji period.

What is shunkei-nuri?

A finish where lacquer is rubbed into the wood so the natural grain of the hinoki shows.

Where it comes from

More crafts from the same area

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Heritage stories from the same area

Sources

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